![]() Immediately saved to system 'Last Used I/O Settings' fileġ7. Any changes made to I/O settings in current session are Clip groups can be made up of the following clip typesĬlick the default button at the bottom of Input pageġ6. Recording automation to on member of an ACTIVE groupġ4. Two types of sends are available in Pro ToolsĬan be applied to any point in an audio waveform that is bordered by a Warp Marker only on one sideġ3. Pro Tools allows you to place up to _ inserts on and Audio TrackĬheck 'Enable Video engine' in Playback Engine Dialogueġ2. Pushing play on the transport with the file selectedġ1. Selected from the 'peripherals' list in the Hardware Setup The real-time Elastic Audio processor that works best for vocals isĪs the last processor on a Master Output Mix Clip groups can only be made up of common clip types.ĩ. Input Quantize, Quantize command, MIDI-Real Time PropertiesĨ. ![]() Volume focus, Catalog focus, Session focus The three different methods for applying quantization are Recording automation to one member of group affects all members, The group must be ungrouped.ħ. Use the Grabber Tool and click on the line graphĬlick in the column to the left of a group name in the Groups list ![]() When working with tracks that are part of an active Mix group, Track List->Track List Pop-up Menu->Sort Tracks byīe sure that each track is displaying and automation graph.Ħ. Transient events in the audio file and use them to calculate the native tempo in bars and beats Automation writing starts for all enabled parameters immediately when playback starts, erasing any previously written automation data. When updating and writing automation parameters that you wish to automatically return to a previous value when you release the control, use _ mode.Įnable the Audio Files Conform to Session Tempo buttonģ. In order to loop multiple clips:Ĭlick output or send selector on source track, Select TRACK from pop-up menu and choose desired destination track.įirst group the clips, then loop the clip groupĢ. Selecting and looping more than one clip on a track will loop only the first loop in the selection. but I hate the questions that I don't know that are completely useless like "what menu yadayada." I learned how to open beat detective by command to AVOID menus. However, in our hands on industry, being able to spit out commands doesn't do much if you don't know why or where to use them to make good edits/mixes or what the command is actually doing with the audio. I've passed more written, practical, and performance tests than most people. I have an Associates degree, Bachelor's degree, State teaching license, and was recently accepted to a grad school program. Really? Training to be a Sweetwater sales engineer?ĭon't get me wrong.I'm all about certifications/proving knowledge. Knowledge is great, but practical application of these commands is more worthwhile than just spitting out how many tracks PT can handle, or especially listing the whole line of M-Audio interfaces. How many menus in the top toolbar? Who cares? Do you remember which command you have to find when your external pre isn't locking while musicians are staring at you? We find quick keys and a workflow and use that. I understand that knowing the navigation of the software is helpful, but NOBODY, on a daily basis, uses all the ways to start a new track, or open something, etc. They always said."We'll teach you more than the test anyway". When I did my audio degree, they didn't teach to the Pro Tools certification test. I was starting on a Final Cut Pro Level 1 cert since I was in the running to teach film editing at our school and they probably liked it more if I had the official paper. That's the thing I never understand about these cert's.
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